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How to set up a greenscreen within a budget



Type of material Although most greenscreens use some kind of fabric, it’s not necessary. Spandex and foam are better at resisting wrinkles than other fabrics. You can paint rigid backgrounds like wood or cardboard with a little bit of effort. A thick material is recommended to stop light from leaking through the back, especially if the shoot will be on location.

Non-reflective material. You must ensure that your screen is lit evenly. But, this can prove difficult if you have greenscreen with too much reflection. It can be particularly noticeable when you have a glossy surface like a wall or painted surfaces. However, bright spots will cause problems later. Get materials with a matte finish to make your job easier.

A screen can be made from materials purchased at hardware or craft stores. Kits that include stands, fabric backgrounds, clamps, and other accessories are available at a low cost. This Emart kit ($80) has served me well for a long time. 

Keep some stands handy

You can’t have enough stands. You can use them for anything, from hanging fabric screens to setting up lights. You can also find quite a few. Types You can have as many stands as you like. You will need to consider how heavy your gear is and how much storage space you have. 

Photography tripod stands are the most popular and cheapest. You can mount clamps or lights using the 1/4 inch screw tips. You’ll be able to mount your camera on a tripod that is stronger, such as this one ($76). You can still use it as a lightweight tripod and you don’t have to worry about your camera falling over.

This backdrop stand ($46), which is ideal for large screens, can also be useful. This backdrop stand can be found in our earlier bundle. And The greenscreen. They are similar to photography stands, but they come in pairs and feature longer screws tips. You can also hang fabric screens using the telescoping crossbar. Although they are not super sturdy, as long you don’t throw your subject directly against the screen, these should still work.

C-stands are a more robust option. C-stands are more expensive at $165 (I have not tried it yet). One might be sufficient for the largest equipment, if not you have to. This stand has three separate legs that rotate to 120 degrees each. The stand is strong enough to hold a telescoping arms on its own. This can come in handy when you have to use heavy lighting for your greenscreen, but not visible through the camera.

Light Your Greenscreen Properly

There are many ways you can light your subject, as well as your screen. You also have the option of choosing which gear to use. Whatever type of light source you choose, the goals will be the same. Light your screen evenly and avoid shadows. Separately from your subject’s lighting, as much as possible.

While this may be difficult to do, most of the time you will need at least two large and bright lighting sources. If the lights are placed close to the screen they will cause hot spots. This is because the brighter parts near the light source will appear much brighter than those farther away. You have two choices: diffuse small lights, or get big lights.

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